Monday, 17 June 2019

Musical Monday #209

Today's musical moment comes from what I think was the penultimate episode of Quantum Leap.  In the early days, Sam leaped into nobodies on the historical scale to help in a low level way.  But as ratings dropped away, the show started getting sillier - they messed up the theme tune, they played about with weird and contradictory and trippy episode plots, they tried out recurring characters and they started having Sam leap into famous people.  So in this one, he's Elvis.  However, it is quite a sweet episode, and not one of the stupid ones, so it's nice to have it there at the end, before the bizarre and depressing finale.

Baby, Let's Play House from Quantum Leap, episode 'Memphis Melody'
Performed by Scott Bakula
Written by Arthur Gunter (and Elvis Presley I guess since his version is quite different from the original)

I always found the line 'I'd rather see you dead, little girl, than to be with another man' suuuuuuuper creepy.  Why the hell did John Lennon nick that for Run For Your Life?  That was not a line that needed to be kept going.

Friday, 14 June 2019

Monthly Woman Time

Being non-binary, I generally avoid things that confirm I'm afab, but sometimes it just can't be ignored.

Thursday, 13 June 2019

Adventures In Rat Keeping

We have had our little rats aka beans aka babies aka daughters aka beasts aka monsters aka bastards aka fluff-fluffs for over seven months now and as far as I can tell, there are only two modes when you own rats.

Mode One:
Answer: wherever they shouldn't be. (They are inside the sofa)

Mode Two:
I love you, but French kissing is taking it too far.

Monday, 10 June 2019

Musical Monday #208

So I may have missed two Musical Mondays in a row.  The first was because the previous day I had found an expansion pack for The Sims 3 at my local CEX and therefore was playing that obsessively and forgot what day it was and the following Monday was because The Housemate and I were in London seeing Rachel Bloom Live.  Unfortunately we had to sneak out early in order to catch the train home, so this is the last song we caught:

A Diagnosis from Crazy Ex-Girlfriend, episode 'Josh Is Irrelevant'
Performed by Rachel Bloom
Written by Rachel Bloom and Adam Schlesinger

Monday, 20 May 2019

Musical Monday #207

And now for that film no one likes:
(Love Will) Turn Back The Hands Of Time from Grease 2
Performed by Michelle Pfeiffer and Maxwell Caulfield 
Written by Louis St. Louis and Howard Greenfield

Monday, 13 May 2019

Musical Monday #206

I Wanna Dance With Somebody (Who Loves Me) from Love, Simon 
Song performed by Whitney Houston and written by George Merrill and Shannon Rubicam
Scene performed by Nick Robinson and others.

Monday, 6 May 2019

Musical Monday #205

The Housemate and I are working our way through all of The Office (US) and were wondering how soon it would be before Andy and Darryl started singing together.  Not sure this is quite what we were expecting.

Bullfrog In Love from The Office, episode 'The Sting'
Performed by Ed Helms, Craig Robinson and Brian Baumgartner

Monday, 29 April 2019

Musical Monday #204

Weirdly enough, having now seen Follies, from which this song originates, I don't remember it at all.  I'm vaguely aware that in the show, it is a female character who sings it, and so I can work out who it is who sings it from context, but nope, no memory of seeing it live in the slightest.  Guess I was too busy etching all of Philip Quast's scenes into my brain to save anything else in there.

Anyway, I really like this version; it's so emotionally fraught.

Losing My Mind from Hey, Mr. Producer!
Performed by Michael Ball
Written by Stephen Sondheim

Friday, 26 April 2019

(Don't) Spoil Endgame

Most people don't want spoilers for Avengers Endgame.  Everyone I know is rushing to the cinema as quickly as possible to see it while it is still a surprise.  Not me, I demanded spoilers before I even considered going to see it.  Ever since I saw the trailer for Infinity War and heard all the hype of 'who are they going to kill off' I knew this was not a franchise I wanted to be a part of any more.

The Housemate saw Endgame last night and gave me the lowdown this morning.

So I moped all day at work and didn't have a good reason when anyone asked.

I thought maybe if I blogged about it, I would get it out of my system.

Monday, 22 April 2019

Musical Monday #203

So I was going to do my top 3 favourite songs and general season overview of Season 4 of Crazy Ex Girlfriend today, as I have done for the previous three seasons but it turns out that I am a) struggling to find any favourite songs in season 4 and b) still too mad at it to write anything coherent.  So gonna leave that till next week.

Instead here is a 'learning to dance montage', which I always think must be interesting to film, because someone who can dance has to pretend that they can't.  I think actors have a lot of fun with things like that, pretending to be bad at things that you are actually good at.  Anyway this montage is super cute.

Let's Hear It For The Boy from Footloose
Scene performed by Kevin Bacon and Chris Penn, Song performed by Deniece Williams
and written by Tom Snow and Dean Pitchford

Sunday, 21 April 2019

Welcome To Me

At the start of the year, I meant to write a series of ‘About Me’ posts, but I had issues with my computer and wasn’t able to.  Then I bought a new computer, but since then I just haven’t been able to make myself do it.

The whole reason I wanted to do these posts was as a form of self-affirmation and starting the year proud to be the me I am.

But every time I sit down to start, I feel completely cast in the shadow of my social anxiety – it’s not quite self-loathing, because I happen to like myself, but my utter unshakeable conviction that everybody else despises me.

I dunno how other people view themselves, but I often feel that I am kind of shattered into different aspects of my personality that just don’t mesh together.

At my heart and centre, this is me:

This confident being who is totally sly and irreverent and finds everything amusing.

But like most cartoon characters, I have a little angel and devil pulling me off course.  Except not so much good and evil as love and hate.

One is my loving side who is totally sweet and empathetic and is compassionate to everything.

And the other is my hateful side who is totally cynical and antagonistic and is critical of everything.

Most of my friends are familiar with these two aspects of my personality – someone who is completely distracted by how cute and fluffy squirrels are and also complains about every movie and book that crosses my path.

But just to complicate matters, I have this other layer.

I think it has actually formed from both my compassion and my criticism colliding into a shield who is totally strict and ethical and needs to correct everything.  This tends to be the part of me my colleagues know best.  On the one hand, it makes me a really efficient employee and useful, reliable person to keep around, but on the other hand, it makes me seem mean and unbending and kind of scary.

But on top of that, my very outer layer is this awful repressed-by-society gunk layer.

So people who don’t know me at all only see this repressed surface layer who is intensely shy and insecure, working always to hide the real me away because I spent so many years unable to be myself, because school and society forgot to educate me on a) who I was and b) that it was okay to be that person, and now I’m so entrenched in this tar that it stops me from being able to be myself or do the things I want to do and people really think I am this pointless and the tar only gets thicker.

People who don’t know me at all label me as ‘quiet’, which is the outer tar layer.

People who know me a little label me as ‘serious’ and ‘sensible’, which is the middle shield layer.

People who know me better label me as ‘hates everything’ or ‘overly sensitive’, which are my hate-devil and love-angel sides.

I might be the only one who knows the inner Me me, who might have been the outer me if I hadn’t been so confused and isolated during my formative years.  Or maybe I was always destined to have these different personality traits who completely contradict each other.  The other day The Housemate called me ‘an introvert who wants to be an extrovert’.

When I look back at my childhood, I can remember different instances of being the Inner Me, and the Love-Angel, and the Hate-Devil, and the Shield Layer and sadly the Tar Layer.  But by the time I was a teenager, I think the Tar Layer had got a lot thicker, and maybe the Inner Me had got smaller, or just was more sound-proofed off.  I can remember sometimes just wanting to rip it all away and reveal the real me, but then when it came to it, not knowing who that was.  I deliberately perpetuated a ‘Scary’ persona as a teen because it was the only thing that made me stand out and it has stayed with me through to my adulthood now, albeit smartened up a bit, as the no-nonsense don’t-mess-with persona I use at work.  Am I really that strict?  I don’t know.  Because on the one hand, I really do care and I can’t stand it when things aren’t done properly, and on the other hand, I could not care in the least because I am just here to have a good time.

I am all five of these beings.  They are all aspects of my personality.  They all bring positives and negatives to my life.  (They are also all usually represented by different characters in my stories.)

Inner Me is where my sense of humour comes from and my ability to relax so it’s what makes life fun, but the irreverence means I can be rude and really not care, which gets me into trouble.

Love-Angel is kind and loving to animals and fills my life with joy, but all that compassion means I feel pain nearly all of the time when I look at the cruelty of the world.

Hate-Angel is passionate and exhilarating, which helps me vent negative emotions and pushes me to improve, but also undermines my confidence in my own work as well as leaving me incapable of enjoying other people’s.

Shield Layer is reliable and useful, making me someone of value in the workplace and able to stand up for my friends against injustice, but is also cold and severe so unlikely to make new friends and makes it almost painful to compromise.

Tar Layer is absolutely crippling, making me incapable to doing simple tasks like getting my hair cut, it suffocates me and makes me constantly miserable.  If it has an upside, I guess it protects me from strangers, but unfortunately it protects me from everything else too, including things I want.

But good or bad, this is me.  Welcome.

Monday, 15 April 2019

Musical Monday #202

Today's number is from a film I haven't actually seen, but it's a pretty famous song.


1) Did people really used to go and see shows that had no dialogue in them?

2) The music is actually more interesting than the dancing.

3) I first heard this song from that series of adverts in the 90s.  I figure it was for some kind of insurance, but I had to look it up to find out which, so advertising fails again.

Let’s Face The Music And Dance from Follow The Fleet
Performed by Fred Astaire and Ginger Rogers
Written by Irving Berlin

Monday, 8 April 2019

Musical Monday #201

Today's number comes from the 1994 movie Thumbelina, which I recently watched as part of #Cramuary having seen it advertised a lot as a child.  It is, in case you were wondering, complete garbage.

I think its main problem is that the writers didn't do much work to rewrite the rambling fairy tale, and pretty much the plot of Hans Christian Andersen's original tale made it to the screen.  A rambling little adventure works fine in a fairy story - they are supposed to be a journey where the hero overcomes different obstacles - but it doesn't work in a movie.  Films need a proper structure, recurring characters and some kind of overarching moral so that it builds to something interesting.  Instead what we get is Thumbelina, a completely fickle nitwit, being handed about between different monstrous creatures because they all think she's hot, while she does nothing to save herself, or even really to complain about the situation.  The fairy prince is introduced at the start rather than the end, but since Thumbelina pretty much instantly assumes she has to live a life without him when she is kidnapped, it doesn't really make much difference to the story, other than make her come across as not very likeable.  He meanwhile spends the film very ineptly looking for her, while her friend the swallow just as uselessly looks for him in return.  Winter comes along and kills the prince, although he does get better later, and Thumbelina spends the last third of the movie chronically depressed because the only person she loves is dead.  Great movie guys.

So this is the only okay song in the movie (and visually at least is clearly ripping off 'A Whole New World' from Aladdin).  See that bit at the end where she blows a kiss to that creepy toad?  If she hadn't done that, none of the awful things that follow would happen.

Let Me Be Your Wings from Thumbelina 
Performed by Gary Imhoff and Jodi Benson
Written by Bruce Sussman, Jack Feldman and Barry Manilow

Actually there's a perfect example of what a passive idiot Thumbelina is in that song.  See the bit where Cornelius accidentally drops her and she DOESN'T EVEN NOTICE, or if she does, doesn't mind in the slightest?  That is what she is like for the entire movie.  UGH.

And here's a lovely reprise in which Thumbelina sings about how winter killed her boyfriend.  Yay.

Let Me Be Your Wings (Sun Reprise) from Thumbelina 
Performed by Jodi Benson
Written by Bruce Sussman, Jack Feldman and Barry Manilow

Monday, 1 April 2019

Musical Monday #200

Ooh, look at that, a nice shiny round number.  So here's a nice environmentally friendly, hopeful gospel-sounding kind of song.  Didn't particularly like the film, but this is a really nice song, even if it is awkwardly only two letters removed from that dumb Disney song people are so obsessed with.  This came first.

Let It Grow from The Lorax
Written by John Powell and Cinco Paul
Performed by Fletcher Sheridan, Dan Navarro, Edie Lehmann Boddicker, Jenny Slate, Claira Titman, Betty White, Rob Riggle and Ed Helms

Monday, 25 March 2019

Musical Monday #199

This is from an early-ish episode of Frasier, in which Frasier has to write a eulogy for his horrible aunt but can't think of anything nice to say about her without just lying, while in the subplot Martin writes a song for Frank Sinatra which gets rejected, and then the two plots collide at the finale as they should in any decent sitcom.

Lady of Mine (Groovy Lady) from Frasier, episode 'Martin Does It His Way'
First scene performed by Kelsey Grammer, John Mahoney, David Hyde Pierce and Jane Leeves.

Monday, 18 March 2019

Musical Monday #198

There are three versions of Hairspray - the original film [1988], the stageshow [2002] and the film based on the stageshow [2007].  Once you've seen them all, it becomes a bit of a soup trying to remember which one is which.  I think basically each one was an improvement on the last, but at the same time each one does one theme better than the others (I think the race plot was handled best in the original, the romance was best on stage and the mother character most interesting in the remake, although like I say, it's all just soup to me now).  Maybe they should make a fourth version with the best bits from each.

Ladies' Choice from Hairspray
Written by Marc Shaiman and Scott Wittman
Song performed by Zac Efron
Dance performed by Nikki Blonsky (among others)

Monday, 11 March 2019

Musical Monday #197

I wasn't bowled over by Coco like some of my friends were.  I'm not sure I've really liked a Pixar movie in two decades, and both Disney and Disney Pixar reeeeeally need to give the whole 'twist villain' plot a rest.  And while I also wasn't bowled over by The Book Of Life, which was too all over the place, it did pretty much utilise a lot of similar ideas better than Coco (one is about a boy who wants to be a musician but is instead forced to be a bullfighter, and one is about a boy who wants to be a musician but is instead forced to be a shoemaker - I mean, come on, one of those is just a lot more fraught.  In one our hero is actually killed and sent to the afterlife, in the other our hero just sort of randomly goes there for vague reasons maybe to do with a curse but it wasn't very clear.  In one the finale has the dead joining our hero in a kick-ass fight with villains, in the other the dead join our hero for a hug and a dance.  One has an awesome twist ending where an adversary but also best friend would sacrifice himself for his friend, and the other the best friend turns out to be a lame murdery jerk).  In fact, the only place where I feel Coco was superior was in the music.  So.

La Llorona from Coco
Performed by Antonio Sol and Alanna Ubach

Wednesday, 6 March 2019

RatRations Unboxing

I waited in all morning for my latest order of stuff I have bought my rats to arrive and I thought, why not record the unboxing and put it on youtube.  I may regret it but oh well.  Now I have a YouTube channel which I may do something with later.

Inigo was keen to help out and even decided when the video should be over my turning off the camera on my phone.  Thanks Inigo...

Monday, 4 March 2019

Musical Monday #196

I really need to get an early night tonight, so here's a nice lullaby to send us all off.

La La Lu from Lady And The Tramp
Written by Peggy Lee and Sonny Burke 
Performed by Peggy Lee

Sunday, 3 March 2019


So The Housemate got a subscription to NowTV with his new phone contract or something-a-rather, and because we apparently live in the dark ages, you have to go out and buy a stick to plug in to the TV to make NowTV work, which makes you wonder what the point of our new smart TV even is, and this stick came with a one month free subscription to the movie package.  Now considering we already have Netflix and Cinema Paradiso and a huge home DVD library, we didn’t want to get lumbered with/suckered into paying for another film service.  So instead we decided to watch ALL OF THE FILMS in the one free month, so dubbed #cramuary by The Housemate.

I started out mostly watching films I actually wanted to see, and then veered off into watching pretty much anything that I had ever heard of.  Then I discovered that even though the TV subscription lasts two years, a lot of the shows on NowTV randomly disappear in March, and I’ve wanted to watch Modern Family for some time, and now I had to watch nine seasons of it before March, so I got a bit distracted doing that and let the movie-cramming slide a bit.  Then I realised the month was almost up and I still had a lot of movies to get through, but they were mostly ones I wasn’t that bothered about, and so I ended up giving up or fastforwarding quite a few.  Finally the free subscription ended – while I was halfway through watching Downsizing.  But it would probably have ended up in the ‘Meh’ pile anyway.

A while ago a friend of mine said I don’t like anything, which I dispute.  I don’t think it would be possible to put the films in a very exact order of how much I enjoyed them because in one month I watched 45 movies all the way through and 12 movies in part and by the end my ability to absorb information or use critical faculties had been eroded quite a lot.  My mind is just movie-porridge now.

But out of 57 movies – I roughly enjoyed 26 movies, had fairly neutral opinions on 16 movies, actively disliked 6 and couldn’t be bothered to watch to the end 9 movies.  I don’t think that’s the score of someone who doesn’t like anything.  I liked a lot more than I disliked.  Okay so I could also look at it as out of 57 movies, I enjoyed less than half, but I did watch a very diverse selection of movies, which at least shows I have an open mind; it’s not my fault there’s so much ‘meh’ out there.  The moral here is I only DISliked 6 out of 57, so I win.

Here’s what I managed to cram during #cramuary:

High Noon [1952]
Dog Day Afternoon [1975]
Holes [2003]
The Karate Kid [1984]

Kramer Vs Kramer [1979]

Please Stand By [2017]
To Sir, With Love [1967]
This Is The End [2013]
Hello Dolly! [1969]

Captain Underpants: The First Epic Movie [2017]
Date Night [2010]
Cinderella III: A Twist In Time [2007]
Baby Driver [2017]
True Grit [1969]
Clueless [1995]
Erin Brockovich [2000]
                                       Candleshoe [1977]
Game Night [2018]
Beverly Hills Cop [1984]
The Boss Baby [2017]

So B. It [2016]
Coco [2017]
Beverly Hills Cop II [1987]

Breaking In [2018]
The Ten Commandments [1956]
The Lego Ninjago Movie [2017]

Almost Famous [2000]

Smokey And The Bandit [1977]
Mars Needs Moms [2010]
Escape From Alcatraz [1979]
Father Goose [1964]

The First Wives Club [1996]
Cool Runnings [1993]
To Catch A Thief [1955]
Nine To Five [1980]
Being Charlie [2016]
Patch Adams [1998]
Empire Of The Sun [1987]
Downsizing [2017]

Field Of Dreams [1989]
Funny Face [1957]
The Desert Rats [1953]

West Side Story [1961]

Indiscreet [1958]

48 Hrs. [1982]

Say Anything… [1989]
Pretty Woman [1990]
The Thomas Crown Affair [1968]

The Monster Squad [1987]

Thumbelina [1994]

The rest might have turned out all right in the long run but I dunno because I was on a time limit and they weren't grabbing me so I gave up on them:

Lawrence Of Arabia [1962]
Angus, Thongs And Perfect Snogging [2008]
Steel Magnolias [1989]
Swiss Family Robinson [1960]
Rampage [2018]
Coming To America [1988]
King Arthur: Legend Of The Sword [2017]

Monday, 25 February 2019

Musical Monday #195

I'm glad there's going to be another season of Bojack Horseman, my sometimes-favourite modern show.  I hope it will be to Season 5 what Season 4 was to Season 3.  My general overview of the show so far has gone: Season One: Great. Season Two: Settled in so even greater.  Season Three: Bit too dark.  Season Four: Fantastic.  Season Five: Whatthehellwasthatwhatwereyouthinkingwhy?

Here is that time the opening credits were the opening credits to a different 'show':

Kyle And The Kids from BoJack Horseman, episode 'Escape From L.A.'

Okay so season five wasn't bad - it was still funny and smart - it was just really, REALLY dark, and I already didn't like it when the show got too dark.  It also felt like there were less background animal puns floating around.  And I didn't super 'get' the ending where we follow Diane instead of BoJack even though every other season ended with BoJack, so maybe the show is outgrowing me intellectually.  And it only had the one standout episode (the funeral monologue one obviously), and even that wasn't as mind-blowing as their previous standouts like the silent underwater one or the Alzheimers one (in fact season 4 has multiple standout episodes).  And I don't know exactly what social commentary is being made by forcing the audience to watch BoJack slipping out of touch with reality, like when he starts wearing his Philbert costume all the time even in the starting credits, while none of the characters notice him spiralling.  Plus I don't know how best you can handle an asexual plotline, but as an ace, I find the over explaining of Todd's sexuality like you're watching an educational video is quite poor.  And basically, with the exception of Princess Carolyn I guess, they didn't go where I wanted the characters to go, or where I thought they were going from the end of season 4.  Plus, how do you come back from the main character nearly murdering someone?

Monday, 18 February 2019

Musical Monday #194

In news that is only exciting if you are me, I have a new computer!

The last time I got a new computer was 2005, so I'm preparing for a whole new world of modernisation.  The old PC has mostly served me well, expect all the times when it sucked, but things came to a head when in 2019 it stopped being able to open Word documents, which is kind of crippling when you're a writer and everything you have is a Word document.  It's also the reason why there haven't been any Musical Mondays for a few weeks, because my list of ones I've already done so I don't keep repeating myself is also kept in a Word document.

So welcome back and here's...

Knock On Wood from Casablanca
Written by M.K. Jerome and Jack Scholl and performed by Dooley Wilson and Elliot Carpenter.

Wednesday, 9 January 2019

Vegan Advent Calendar

Last year I bought myself an advent calendar.  I know that's a pretty sad thing to do, but I really like the idea of advent calendars, even if in practice it's just a painful test of patience.

When I was a kid, I once got one that folded out into a model of a mouse hotel, and all the doors were rooms and cupboards and things in the hotel and you'd uncover more of the 'story' each day, and that was so awesome that I still have it in the Xmas decorations box.

Other than that, I used to have this sort of pillar box thing that The Mother would fill with treats that she knew I would like, which gave advent a thoughtful as well as fun touch.

The generic flat advent calendar, either with dull pictures of Xmas stuff or with that disgusting, stale, third-rate chocolate they put in advent calendars does not excite me.  (The lego ones look pretty cool though.)

Anyway, as a vegan, choice of chocolate treats is somewhat limited, and while the options expand every year, if you want a chocolate advent calendar, you're going to have to eat some pretty rank stuff, because they only seem to do vegan versions of those really lame chocolate advent calendars, and nothing exciting.

And then while looking for something else, I came across the 'Vegan Store Luxury Gourmet Advent Calendar' on the Vegan Store, which is a pretty good online vegan shop, and I know I'm an adult so I don't need an advent calendar, and getting yourself one is pretty sad, but the idea that someone made a GOOD vegan advent calendar was too much.  So despite it being darn pricey, I bought one for myself, and also one for The Housemate so I could pretend I wasn't being entirely self-involved.

It was filled with six different types of fancy vegan sweets, which is a pretty good variation (also it means there is only four of each type so if you don't like one, you're not stuck with loads on your hands).  On the down side, it had to be pretty chunky to fit the larger ones inside, which meant the smallest ones tended to escape their slots and fall to the bottom of the box.  Leaving the calendar lying on its back was the way to get around this, but I worked this out too late to stop a few escapees and on some days, you'd open the door to find a blank space staring at you.

Here are the sweets:

Le Preziose Fruit Jellies With Orange, Covered In Dark Chocolate

This is an orange jelly covered in chocolate and they had a slight crunch to them.  These tasted like jaffa cakes, without the cake, so without the gritty soggy worst part of jaffa cakes.  They were probably my favourite sweet in the calendar, which is a high recommendation for these fellows because I'm not usually that fussed by jellies.

Oddly enough they are not for sale in their chocolate covered form on the Vegan Store, but a quick google search showed them here.  Apparently they come in different flavours.

Super Fudgio Organic Toffee

This is a stick of toffee with a slightly gooey centre.  They were quite a dark toffee, rather rich, so actually could have done with coming in smaller portions.  I'm not sure whether the centre is supposed to be gooey or not as it seemed to vary between pieces.  I think I prefer a creamier toffee.

The Vegan Store has several different varieties for sale.

Bonelle Pate Du Fruits

Your basic fruit jelly.  Probably pretty good if you are into that kind of thing.

Another one not currently on the Vegan Store and they're not popping up on google either.  Wait, I think I found them on this Italian site.

Pernigotti Nocciolato

A block of chocolate containing a hazelnut.  I was pretty excited to see these in here because Pernigotti makes lovely rich and creamy chocolate, but I am a much bigger fan of their truffles rather than just chocolate so this was a little dull on its own.

I think it's these ones, although apparently these are truffles.  Hmm.

Kuhbonbon Caramel

A toffee/caramel.  Hmm, now these were my least favourite of the lot.  These are the little culprits who wouldn't stay in their slots, so it was a while before I got to eat one and it didn't live up to the wait.  They are very bland.  Almost no taste at all, apart from a slight sweetness.  That said, after eating a few more they did grow on me, so I think if you had a whole bag to munch on, they would be pretty moreish.  Basically had the two ends of the toffee scale in this calendar - too dark and too light!

Anyway there are quite a few versions on Vegan Store.

Belvas Organic Praline Truffle Balls

A praline truffle with dark chocolate coating.  These are a really decent size, but the chocolate coating is very dark, so wouldn't appeal to everyone.

Available on Vegan Store.

Overall this advent calendar had a good mixture of different varieties of sweets, and they were all nice, although I probably wouldn't buy a whole bag of either of the toffee/caramels.  However both were made using coconut milk, and I often don't like products made from that (coconut ice cream and yoghurts are awful and sour) and I didn't have a problem with the taste of these.  If the Vegan Store bring these calendars out again next year, they might want to rethink the design of the box, or make sure all the sweets are of equal size, to stop the smaller ones getting loose.  It was definitely a good buy and I hope to see more interesting vegan advent calendars on the market next Xmas.

Did you have a vegan advent calendar last year?