Wednesday, 11 July 2018

What don't dreams make?

Dreams don't make good stories.

DREAMS.  DON'T  make good stories.

So I'm having a major sort out of all the rubbish in the room, and I came across an envelope on which I had scrawled some kind of story idea.  Reading it over, I'm pretty sure it was a dream, and having awakened and thought it brilliant, I'd hurriedly jotted it down before it drifted away into the mists of wakeful obscurity.

This is it:

A – cop looking for F
B – junior cop helping A + D’s dad
C – crook + F’s dad
D – servant of C
E – doctor, married to A? or other
F – girl daughter of C
G – step brother of F

C took car
D was on bike
E on motorbike

Love?
D+F
F+G
G+E
E+D

At end A+B waiting for C to move
C waiting
D+E still out looking for C
F+G left at home, no one else come back

Except that the handwritten version was in more of a grid shape and there were a couple of gaps where a piece of information had already blinked out of existence in my memory.

I mean... what is that?  How is that a story?

I am never going to do ANYTHING with that.  In the recycling it goes.  You know what, aspiring writers out there, you want this amazing story idea?  You have it.

DREAMS DON'T MAKE GOOD STORIES.




Have you ever done anything productive with a dream?


Monday, 9 July 2018

Musical Monday #170

I saw Follies last year (was it last year?  I think it was just before Xmas...) which is the show this song is from originally, but in that it's just a bit in a montage, though one imagines it has been used throughout auditions across the world ever since (as this version references).

Broadway Baby from Hey, Mr Producer! 

Monday, 2 July 2018

Musical Monday #169

When you sell your friend (cousin? brother?) to pay for a meal, and then get haunted by your Aunt Lucy who  on her death bed asked you to take care of him, obviously the best way to find him again is to aimlessly wander around the streets singing his favourite song.  If you're Bing Crosby, anyway.  Any excuse, am I right?

Ain’t Got A Dime To My Name from Road To Morocco


Monday, 25 June 2018

Musical Monday #168

You know how in good musicals the songs occur naturally at moments of heightened emotion, while advancing the plot... and then there are films that are based on stories that were not originally musicals, but someone decided to ram musical numbers into them because it might make some money... which is how you end up pausing the ramp up to the devastating finale of Charlotte's Web, by having a rat sing about eating trash.

A Veritable Smorgasbord from Charlotte’s Web

(This film was not particularly successful when it came out, but it became pretty popular years later when it was released on VHS)

Monday, 18 June 2018

Musical Monday #167

It's always hilarious when they put Bing in a dance number...

You're The Top from Anything Goes

Monday, 4 June 2018

Musical Monday #166

You’ll Be Reminded Of Me from Vivacious Lady

Monday, 28 May 2018

Musical Monday #165

Today's musical number comes from a film I don't actually like - an adaptation of a stage show that I do like (mostly), itself a riff of a Shakespearean play that I don't like.  But I like the staging of this piece and I think it might be the only number in the film that plays the same as it's supposed to in the stage show.

Wunderbar from Kiss Me, Kate

Monday, 14 May 2018

Musical Monday #164

When I was a kid, one of my videos started with a trailer for Disney's Oliver & Company.  This was a film that hadn't been released on video (probably because it wasn't very good) and therefore was an unobtainable dream, and I really wanted to see it.

It was finally released many years later and I saw it as a teenager, and let's just say it did not live up to that dream.

I've seen it again since, and it's not awful, but well, I can't see it being anyone's favourite.

But today I felt like a laid back city slicker tune.  So here is

Why Should I Worry from Oliver & Company.

For all his bravado, I think someone needs to tell that dog that street smarts would actually let you know to avoid deliberately jumping in wet cement.

Monday, 30 April 2018

Musical Monday #163


Okay, so here we are.  Season 3 of Crazy Ex Girlfriend.  It started out spectacularly.  The first episode was amazing and I think the second episode had FIVE songs in it, a series record, but after that, I’ll be straight with you, I did not enjoy season 3 as much as previous seasons.  But I don’t know whether this is the show’s fault or not, because the exact same thing happened with iZombie season 3. 



Both shows were recommended to me at the same time by Community fans.  I fell in love with both shows during their pilot episodes.  I binged the first two seasons on Netflix in a couple of days.  But when season 3 came around, it was put on Netflix the day after it aired in the USA so I had to watch it network TV style, i.e. one episode a week with dumb hiatuses for midseason finales and winter holidays and whatever other stupid reasons American TV has to torture me.  The experience of watching season 3 was so different from watching seasons 1 & 2 that I don’t know if the material was genuinely inferior or if it’s just much harder to care about something spread so thin and you can’t remember how it even started by the time it ends. 



But it is possible that season 3 is simply less good than season 1 and 2.  This happens to good shows all too often.  They catch seasonthreeitis.  Season one has a great premise and interesting characters and it’s all bouncy and fresh and it builds to a decent finale, season two continues with the side arc stuff that didn’t get wrapped up in season one, inverts season one stuff in a cool or meta way, while the characters are more developed and the show knows its strengths and builds to another satisfying finale.  But then in season three, they’ve got no original arc left, so they have to make up something new, they start playing around with the premise and the characters, afraid the audience will get bored, and they ruin it. 



Don’t believe seasonthreeitis is real?  Here’s a random selection of some shows I enjoyed that all lost their way in season three: Star Trek: The Original Series, Blackadder,  Due South, Star Trek: Voyager, Jonathan Creek, Arrested Development, Rev., The Flash, Unbreakable Kimmy Schmidt,(and maybe X-Men Evolution, but I don’t really remember).  I’m pretty sure iZombie will be making it on to that list if I ever watch it again, but Crazy Ex Girlfriend may yet be saved by a rewatch in genuine binge style as TV should be enjoyed.



SPOILERS AHEAD.  You were warned.



Crazy Ex Girlfriend season 3 is certainly the darkest season to date, but so was season 3 of Bojack Horseman and that’s a damn masterpiece.  There’s no Greg of course, which would be okay if they hadn’t desecrated his memory, but they did and I kinda hate them for that.  This all led to Rebecca hitting rock bottom.  Each season has a moment where she’s at her lowest, in season 1 she went broke, realised that she was acting like a villain and ran back to New York, in season 2, having lost both Greg and Josh, she set fire to her apartment and tried to reinvent herself, and in season 3, after going completely off the rails, pushing everyone away and sleeping with Greg’s dad, she runs back to New York and then attempts suicide.  This leads to her properly addressing her mental health issues and pretty much forgetting about Josh, which all makes for deep and interesting character development, and I’m on board with that. 



However, the show does seem to forget it’s a musical at times.  Songs are shoved in halfway through an episode as a sort of afterthought, which is disappointing. 



Then there’s Nathaniel.  Now I don’t mind Nathaniel, at times I even like Nathaniel, like, y’know, when he’s pooped his pants or whatever.  If he’s pathetic, I feel sorry for him.  But I cannot STAND him as Rebecca’s new romantic interest.  I know that she’s always been pretty obsessed with sex, but their entire relationship is based on sex and nothing else.  With Greg she had a funny rapport and they got on as friends, with Josh they had an emotional connection and saw the best in each other, but with Nathaniel it’s just a physical attraction so I really don’t give a crap.  She pretty much uses sex as a barter with him in season 3, they compare him to Christian Gray which is horrifying, when she has to stop seeing him due to, oh yeah her mental health issues and suicidal stuff, he gets all petty and mean about it, and later he claims to love her while he spends eight months cheating on his serious girlfriend.  This is not a man we can ever sympathise with. 



Oh, yeah, and then there’s THAT episode.  In one ep, we skip EIGHT months.  The only reason for this appears to be so that the show can end with the traditional TV trope of a pregnant character having a baby in the finale.  It throws away so much potential character development that I’m not sure the show can ever recover from such a bizarre move.  Now I will certainly never be able to root for Rebecca and Nathaniel as a couple, while Valencia changed sexuality OFF SCREEN (remember when Darryl got an entire season arc devoted to his sexuality?).



Meanwhile, Darryl, who’s about to become a single father, is completely sidelined almost into oblivion, Rebecca’s relationship with her mum has been pretty much dismantled, Paula just keeps going through the same plot arcs over and over, Greg can pretty much never return now he kept complete radio silence through Rebecca’s suicide attempt and Josh is still here, wandering around in the background with no plot relevance.  Sucks to be him. 



So yeah, I dunno.  It’s pretty telling that my favourite songs from this season are all from the start, but there were some wonderful moments later on, I’d love to dig further into Rebecca as a character, just if Nathaniel would get lost that would be nice (Josh punching him out made me cheer in delight).  Maybe it’ll seem better after a rewatch.



Anyhoo, here are my favourite songs from season 3:


Let’s Generalize About Men from Crazy Ex Girlfriend, episode 'Josh's Ex-Girlfriend Wants Revenge'.

Strip Away My Conscience from Crazy Ex Girlfriend, episode 'To Josh, With Love'


Where’s Rebecca Bunch? from Crazy Ex Girlfriend, episode 'Josh's Ex-Girlfriend Wants Revenge'

Monday, 23 April 2018

Musical Monday #162


I had a mildly tempestuous relationship with season 2 of Crazy Ex Girlfriend, for a little time feeling like I had become Crazy Ex Girlfriend’s crazy ex-girlfriend.

I had binged the entire first season in one weekend (sometimes The Housemate goes away and Netflix becomes my new best friend).  I started off with season 2 the same way and came to a crashing halt shortly after as I suddenly realised at the end of his penultimate episode that my favourite character was about to leave the show for good.

Savvy people who knew which actor was only signed to a one-year contract saw this coming.  I was totally blindsided.  In utter shock and horror, I stopped watching.  I don’t deal well with losing a beloved character.  I still haven’t forgiven Due South for losing Ray and I’ve never watched a single episode of Jonathan Creek after Maddie left.

But Crazy Ex Girlfriend is such a good show that I missed it, so I watched some youtube videos ABOUT the show, which eventually convinced me to continue. 

And, y’know, it’s still really good.  (Although part of me will always be waiting for Greg’s glorious return).



So here are my favourite songs from season 2.  It was a little easier to pick than season 1, because while the songs are still really good, I wouldn’t say they were all so perfectly brilliant as every song in season 1, and because my absolute favourite song of the entire series is in season 2 (I tear up EVERY time I see or hear this song), so I only had to pick another two songs to accompany it.



The following song perfectly encapsulates how the audience is feeling:

 Who’s The New Guy? from Crazy Ex Girlfriend, episode ‘When Do I Get To Spend Time With Josh?’



The following song is spread across the whole episode, which is why it’s a bit disjointed as a youtube vid.  Despite their delightful teasing with reprises, so far, this song is the only time the show has had a song that keeps coming back in one episode, which makes it kind of special:

 Santa Ana Winds from Crazy Ex Girlfriend, episode ‘Josh Is The Man Of My Dreams, Right?’



The following song was censored in the actual episode.  Several songs have explicit and slightly more family-friendly versions, generally to swap out the F-word for something more benign or to avoid sexually explicit references.  I have no problem with that because generally the explicit versions are gross.  But in this case, the word the censors have a problem with is ‘shit’.  Is shit even a swearword?  How is that something that has to be censored, but the word ‘bitch’ is allowed all the time?  Shit doesn’t even mean anything particularly bad, whereas bitch is a horrible, belittling term.  Screwed up censors if you ask me.  Anyway, this is the only song that is bleeped rather than rewritten, because the rude bit is irreplaceable.  Luckily, youtube provides us with the proper, un-bleeped version.

 It Was A Shit Show from Crazy Ex Girlfriend, episode ‘When Will Josh And His Friend Leave Me Alone?’

See you next week for season 3...